Familial History (Sculpture, Film and Horror): a Q&A with Darren Banks

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Darren Banks explores familial and technological histories through the integration of a filmic and sculptural language. Incorporating all the things we love here at The Girl Who Knew Too Much – cinema, horror, science fiction, darkness – Banks’ installations, videos, and drawings cull from an interest to seek out the possibility of what imagery can contain and produce. I’ve done interviews with Banks before and have worked with him on projects such as The Palace Collection, How to Explain Pictures to a Dead Hare, Empty Distances, and his recent Palace ProjectsOur latest discussion stems from his recent work stemming from his relative (horror actor, sculpture) Churton Fairman/Mike Raven.